Pivotal British multidisciplinary artist Marc Quinn’s practice explores what it is to be human in the world today. This is the most comprehensive book to date on the artist’s bold and singular practice. Marc Quinn came to the attention of the international art scene in 1991 with Self, a cast of his head realized in eight pints of his own frozen blood, exhibited in a specially designed refrigeration unit. With his materials and techniques, Quinn challenges the boundaries between art and science. Besides using ice, glass, metal, marble, and lead, he has experimented with flowers and plants frozen in silicon. Since 1999, he has been creating sculptures in classic white marble of subjects who lack one or more limbs. In addressing the purely physical aspects of life, Quinn confronts the viewer with the chasm between the physical and the mental, beauty and ugliness, the eternal and the mortal. This overview of his practice includes a timeline of all his major works.

In 1991, the first issue of Dazed & Confused was released as a single A2 foldout newsprint by a then 20-year-old Jefferson Hack and the photographer Rankin. Now, 30 years later, what began as a print magazine has gone on to provoke a change in consciousness, becoming a vital cultural manifesto for today. Created for an audience that wants to be both informed and inspired to imagine, its radical approach to publishing means that Dazed is still at the forefront of youth culture today. Split into ten chapters taken from the magazine s most memorable cover lines this book explores how these early manifestos reflect the magazine s ethos today. Time-traveling from the 90s to now, a new generation of image makers sit side by side with archival materials to showcase how Dazed has always interpreted celebrity through its own boundary-pushing lens: from Alexander McQueen and David Bowie s first official, recorded conversation and the designer s Fashion-Able? cover, to a rare appearance and guest-edit by Chelsea Manning, to rapper Young Thug shot by Harley Weir.

From the editors of Another Man magazine, an epic journey into the world of men's style. Another Man magazine is revered around the world as the ultimate style bible for modern men. Elevating men's fashion to a lavish and luxurious level, it combines a singular, soulful point of view on men's style with thought-provoking, sophisticated editorial content. Using the rich wealth of the Another Man archive, remixed with handpicked material and specially commissioned work, this scrapbook narrative filled with rock and roll legends, romantic anti-heroes, and timeless fashion icons expresses the best of men's style. Featuring over 300 images by photographers including Alasdair McLellan, Willy Vanderperre, Nick Knight, and David Sims, this volume also contains a portfolio, curated by Jefferson Hack, of interviews and conversations with cultural icons like Jake and Dinos Chapman, Jarvis Cocker, William Gibson, Kate Moss, Bobby Gillespie, William Burroughs, and Paul Simonon.

Created by Kate Moss herself, in collaboration with creative director Fabien Baron, Jess Hallett, and Jefferson Hack, this book is a highly personal retrospective of Kate Moss's career, tracing her evolution from "new girl with potential" to one of the most iconic models of all time. KATE: The Kate Moss Book will be released with eight unique covers, shot by Mario Testino, Corinne Day, Inez & Vinoodh, Craig McDean, Mert & Marcus, David Sims, Mario Sorrenti, and Juergen Teller and will be shipped to customers at random. Kate Moss began modeling as a teenager and achieved recognition when photographs of her shot by Corinne Day appeared in British magazine The Face. She made her so-called "waif" mark as a counterpoint in the 90s to then-dominant, Amazonian supermodels like Cindy Crawford, Claudia Schiffer, and Linda Evangelista, and, with countless international magazine covers and fashion features, and campaigns for brands including Calvin Klein, Chanel, Bulgari, Dolce & Gabbana, Gucci, and Longchamp, has remained one of fashion's most enduring and influential forces. Moss's magic has been captured by the world's leading photographers, and this volume spans the entirety of her unparalleled career, from model to fashion designer, and muse to icon. Told through images that Moss has personally selected, KATE shows the influence of her collaborations with top photographers and artists over the last two decades, and clearly demonstrates why her career has had, and continues to have, such incredible longevity. Photography by Arthur Elgort, Corinne Day, Craig McDean, David Sims, Hedi Slimane, Inez & Vinoodh, Juergen Teller, Mario Sorrenti, Mario Testino, Mert & Marcus, Nick Knight, Patrick Demarchelier, Peter Lindbergh, Roxanne Lowit, Steven Klein, Terry Richardson and others Including many 'never-before-seen' images from her own archives and those of the illustrious photographers with whom she has worked, KATE is a must-have for anyone interested in one of the most iconic models in the history of fashion media and modern culture.

The Candy Book of Transversal Creativity showcases the best content from the groundbreaking style magazine's twelve issues, with photography by icons such as Nan Goldin, Ryan McGinley, Jack Pierson, and Ellen von Unwerth; such muses as Hari Nef, Divine, and Laverne Cox; and thoughtful and insightful writing by influential cultural trans figures such as Amos Mac and Geena Rocero. Founded a decade ago by Luis Venegas; NDY is the first and only style magazine to focus on the transversal community, or transgender and gender-nonconforming/nonbinary people, transvestism, cross-dressing, drag, and androgyny; NDY has a devoted fan base and respect from industry leaders for showcasing the most creative and important names and talent in transversal fashion, art, and culture. This book brings together for readers the most timeless, inspirational, and aspirational pages of fashion, art, culture, makeup, glamour, icons, amazing transformations, and fun. This is an inspiring celebration of the many levels of transversal creativity and people, all facing an exciting future.

A photographer who defined the aesthetics and attitudes of the 1990s and 2000s, Rankin s influence continues to be seen everywhere, from fashion editorials to cinematography, graphic design, and music videos for artists from Iggy Azalea to Miley Cyrus. Edited by the photographer himself, and drawing from thirty years of work, this is the first retrospective of Rankin s full career. From early provocative portraiture in the late 1980s, through his founding with Jefferson Hack of the fashion bibles of the 1990s and 2000s, Dazed and Confused and AnOther Magazine, to his pioneering of independent television and film through Hunger and his iconic monographs on Heidi Klum and Rosie Huntington-Whiteley, Rankin s work has defined the face of popular culture for generations. Presented in reverse chronology, with a nod to a continuing spirit of contradiction, Unfashionable moves from Rankin s most iconic portraiture and documentary work through his nudes, his ground-breaking fashion work, and back to his earliest Polaroids. With contributions from Rankin and several of his influences, peers, subjects, and admirers, this is the definitive look at one of the most profound influences on fashion and photography working today.

For more than twenty years, Jefferson Hack has pioneered the idea of magazines as communities. He is responsible for several of the most enduring fashion and pop culture publications, including Dazed and Confused, founded in 1991, AnOther Magazine, and Another Man. Edited by Hack himself, this book will include multiple voices from visionaries such as Hans Ulrich Obrist, Bjork, and Tilda Swinton, original works from his magazines, digital projects, stills from experiential exhibitions, and collaborative film, television, and photography projects masterminded with such cultural provocateurs as Rankin, Kate Moss, U2, and Thom Yorke. This insightful book reveals Hack's avant-garde and collaborative working method, illustrating how a transdisciplinary approach can break the conventional mold of a magazine into a modern experience that extends into the realm of film, websites, exhibitions, and beyond. We Can't Do This Alone seeks to share methodologies and inspire creatives to challenge the boundaries of how we perceive culture, suggesting anti-formula processes that can be adopted to define what the future of publishing and communication may look like in the fast evolving media landscape of the twenty-first century